Showing posts with label Education. Show all posts
Showing posts with label Education. Show all posts

Check Online Punjab Vehicle Verification Information Owner

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Check Online Punjab Vehicle Verification Information Owner

Online Verification ofV ehicles’ Records via MTMIS Punjab :ThroughOnline Vehicle Registration Verification System Punjab you see your cars, Moter Cycle  registry entries. The new Satellite-GPS based  Live Vehicle Tracking Project of Punjab Police in many districts alsoInaugurated and Functional condition. This Software works through an Information Management System of Motor transport Management Information System (MTMIS). Government of Punjab’s MTMIS (Motor Transport Management Information System) system is your one-stop solution for retrieving registration details of any Punjab based vehicle. You can check records of Punjab-Registered-Vehicles online by visiting following website Punjab Vehicle Verification Click Here To Punjab Vehicle Verification Pakistani Punjab Province have 36 District . Complete List of districts of Punjab where vehical online Registration and ownership 



verification and TrackingSystem Operational Now::Online Vehicle VerificationAttock, Online Vehicle Verification Lodhran, Online Vehicle VerificationBahawalnagar, , Online Vehicle Verification Chakwal, Online VehicleVerification Muzaffargarh, Online Vehicle Verification Chiniot, Online VehicleVerification Narowal, Online Vehicle Verification Dera Ghazi Khan, OnlineVehicle Verification Nankana Sahib, Online Vehicle Verification Faisalabad,Online Vehicle Verification Okara, Online Vehicle Verification Gujranwala,Online Vehicle Verification Pakpattan, Online Vehicle Verification MandiBahauddin, Online Vehicle Verification Bahawalpur, Online Vehicle VerificationMianwali, Online Vehicle Verification Bhakkar, Online Vehicle VerificationMultan Online Vehicle Verification Gujrat, , Online Vehicle VerificationSahiwal, Online Vehicle Verification Kasur, Online Vehicle VerificationSargodha, Online Vehicle Verification Khanewal, Online Vehicle VerificationSheikhupura, Online Vehicle Verification Khushab, Online Vehicle VerificationSialkot, Online Vehicle Verification Lahore, Online Vehicle Verification TobaTek Singh, Online Vehicle Verification Layyah, Online Vehicle VerificationVehariOnline Vehicle Verification Rahim Yar Khan, Online Vehicle VerificationHafizabad, Online Vehicle Verification Rajanpur, Online Vehicle Verification Jhang, Online Vehicle Verification Rawalpindi, Online Vehicle VerificationJhelum 

Matric Result 2015

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BISE DG Khan Matric Result 2015
2015 Matric Result
Matric Result 2015 DG Khan
Link of Result 2015http://www.bisedgkhan.edu.pk/

Top Ways to Make Money without Adsense

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Top  Ways to Make Money without Adsense

You adsense is BANNED ? Why you blog on the off chance that you don't have adsense ?

I know you are thinking the same as I specified above  But to be completely forthright I don't prefer adsense a lot of that is reason I uprooted adsense from this web journal. Yet in the event that your don't have adsense than you don't have to stress over that as today we are talking about Top 5 Ways to Make Money without Adsense..

The strength of Adsense in the notice serving business has seen it expecting domineering stand with the dismissal rate for advertisement distributed aspirants wretchedly higher. Nonetheless, with a plenty of other gaining choices accessible, there is no foundation for misfortune for simple clients.

We examine main five shimmering choices to profit without adsense here.

Profit through Affiliate promoting

Member showcasing can turn into a veritable money cow if promoted upon morally. One is obliged to advertise the results of traders or ambitious people and sack a great looking requisition on every deal made at an alluring 20-70% relying on the monetary quality of the dealer. Prevalent quality items with solid brand vicinity, tenability and potential to convey what is guaranteed ought to be energetically pushed through web journals, composition excellent articles, fabricating a huge email rundown, taking an interest in discourses on genuine gatherings and composing item surveys. Low quality items ought to never be pushed through spamming and unlawful blackhat procedures or one will confront genuine misfortune of notoriety with deadly repercussions.

Profit offering advertisement spaces

Websites committed to advertising high final items are certain to draw in the consideration and enthusiasm of advertisers who might like genuine gatherings of people for their items on their destinations. Offering flag commercial spaces on online journals for a corner item with guarantee of occupying great measure of natural activity will bring one a nice looking lump of salary. The offer of income will be similarly higher than Adsense as Ad systems offer the publicizing space on websites at around a whopping markdown of 90% to advertisers owing to lavish measure of offering space accessible with them. The potential promoter ought to be permitted to offer their best cost to get higher income and profit without adsense.

Use OIO Publisher plugin for Wordpress to offer promotion spaces without breaking a sweat.

Profit Using Best Adsense Alternative

Adbrite and Chitika have developed as the best choices to Adsense in terms of showing connection touchy ads. Their payouts are exceptionally intense. Adbrite offers the income in 75-25% energetic about site holder. Chitika is the heading drive promoting organization which gets the specialty ads showed through altered and novel advertisement boxes that digress fundamentally from acknowledged industry principles and supplement the existing commercial serving situation. Chitika is the brilliant geese for notice distributers and the stage could be promoted to win every day advertisement income. The activity based pay for every call ads pay to distributers some place between 2 to 20 dollars for every movement. Adbrite and Chitika have offered clueless clients another street to profit without adsense.

Here are best adsense options that pays!

•    bidvertiser

•    chitika

Profit by Writing Paid Reviews

A large number of individuals over the globe read blog entries consistently. An organization can produce huge amounts of qualified activity and have the focus on its items when it pays for paid surveys to be posted in setting touchy online journals relating to their specialty items. This triggers expressions of mouth promoting, improves join prominence, brand dependability and item presentation and likewise gives an opportunity to comprehend curious shopper tastes and behavioral patterns. Eventually the item page encounters a huge ascent in web search tool rankings. The organizations pay abundantly to have their surveys secured in web journals with huge number of qualified guests. One can acquire sums proportional to that of adsense and this is gradually ending up being a finer elective to profit without adsense.

Here are best sites you ought to join to get paid audits offers rapidly.

•    reviewme

•    payperpost

Profit by Using In Text Ads

Distributed 'In content ads' on your web journal by summoning the administrations of Infolinks will help in adapting the webpage with most elevated income offer from context oriented in content ads. Just significant ads are conveyed which basically enhances the change rate and helps the gaining potential. You can join taking after destinations to adapt online journal utilizing as a part of content ads;

•    text join Ads : Make Money while resting

•    infolinks

The pay for every click ads could be effortlessly coordinated in the site and achieve a jolt in your acquiring and another chance to profit with

UHS Syllabus 2013

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NUST Sample Paper (Medical)

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Nust Sample Paper for Medical

Youth Skill Development Program

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5,000 Youth including 35% girls will be trained in Demand Driven Trades across the country

In order to aleviate poverty, enhance employment opportunities, provide skilled workforce to large, medium & small scale industry and to meet the international labour market needs, the Government has initiated "Prime Minister's Youth Skill Development Program. Under this program, 25,000 Unemployed Youth (belonging from lower and middle class families) will be provided Skill Development Training in demand driven trades.
The program is being executed by National Vocational & Technical Training Commission (NAVTTC), Government of Pakistan. The duration of Programs is 4 to 6 months (including 1 month On-Job-Training) The selected trainees will be given monthly stipend of Rs. 2,000/- (Rs. 3,000 for FATA Trainees). In few trades free Tool-Kits will also be provided. The training will be provided in 350 public & private sector Technical & Vocational Training Institutes, accros the country.

Institutes

Skill Development Training will be imparted in 350 Public and Private Technical & Vocational Training Institutes accross the country. For details click on above image.

Trades

The training will be imparted in 100 Demand Driven Trades. These trades have been selected in consultation with TVET Stakeholders. For details click on above image.
For registration please download our Application Form from above link or visit our designated Institutes or our Regional Offices. The details are available on above link.

Rool No. Slip of Allama Iqbal Open University

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Roll No. Slip of Allama Iqbal Open University

Photoshop tips

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 Best Photoshop tips

Photo Shop Tips for Earning

Learn the Photo Shop and Enjoy Money

Best Tricks for Photo Shop 

. Rotating patterns

 Rotating Patterns
Photoshop tips: Rotating Patterns
You can make amazing kaleidoscopic patterns with the help of a keyboard shortcut. Cmd/Ctrl+Shift+Alt+T lets you duplicate a layer and repeat a transformation in one go. To demonstrate, we’ve made a narrow glowing shape by squeezing a lens flare effect, but you can use any shape, image or effect you like. First, make an initial rotation by pressing Cmd/Ctrl+T and turning slightly, then hit Enter to apply. Next, press Cmd/Ctrl+Shift+Alt+T repeatedly to create a pattern.

.Combine images with text..........

 Combining images with text
Photoshop tips: Combining images with text
There’s a really easy way to overlay an image on top of text. Drop an image layer over a type layer then hold down Alt and click the line between the two layers in the Layers Panel to clip the image to the text.

  Bird’s Eye View..............

When zoomed in close, hold down H and drag in the image to instantly dart out to full screen then jump back to another area. One of the best Photoshop tips for viewing work!

  Quick full Layer Masks...........

You can Alt-click on the Layer Mask icon to add a full mask that hides everything on the layer.

 Easier marquee selections..............

Hold down Alt to start a selection at the centre point with any Marquee tool, and then hold Space to temporarily move the selection around.

  Funky backgrounds..................

 Funky background
Photoshop tips: Funky backgrounds
Want to change the default grey background to something more funky? Shift–click over the background area with the Paint Bucket tool to fill it with your foreground colour. Right-click it to go back to grey.

1000 History states.............

Go to Edit>Preferences>Performance to change the number of History states up to a maximum of 1000. Beware though of the effect that this has on performance.

 Colour Code Layers.............

Use colour coding to organise your Layers Panel. Right-click over a layer’s eye icon to quickly access 8 colour code choices.

 Close all images..............

To close all of your documents at the same time, Shift-click any image window’s close icon.

 Spring-loaded Move...............

While using any tool, hold Cmd/Ctrl to temporarily switch to the Move tool. Release to go back to your original tool. Note that spring-loaded keyboard shortcuts work for other tool shortcuts, too.

.Interactive Zoom..............

For interactive zooming, hold Cmd/Ctrl+Space then drag right to zoom in, or left to zoom out. The zoom targets where your mouse icon is, so it’s one of the quickest ways to navigate around an image.

Lightning fast layer copies................

Hold down Cmd+Alt and drag any layer to instantly make a copy.

  Diffuse effects...........

 Diffuse effects
Photoshop tips: Diffuse effects
The Diffuse Glow filter can give highlights a soft ethereal feel, especially when you combine the effect with desaturation. Hit D to reset colours then go to Filter>Distort> Diffuse Glow. Keep the effect fairly subtle, then go to Image>Adjustments>Hue/ Saturation and drop the saturation down to complete the dreamlike effect.

 Undo, Undo, Undo.............

You probably know that Cmd/Ctrl+Z is Undo, but you may not know Cmd/Ctrl+Alt+Z lets you undo more than one history state.

  Cycle Blend Modes.................

Shift + or will cycle through different layer Blend Modes, so long as you don’t have a tool that uses Blend Mode options settings.

Shortcuts (16 - 43)

  • Cmd/Ctrl+Shift+Alt+E will merge a copy of all Layers
  • F Cycle through workspace backgrounds
  • X Change your foreground and background colours
  • D Reset foreground and background colours to black and white
  • ] and [ Change your brush tip size
  • Cmd/Ctrl+J Duplicate a layer or selection
  • Space Bar Hold Space and drag to navigate around the image
  • TAB Hides or shows all panels and tools
  • Cmd/Ctrl+T Transform a layer
  • Cmd/Ctrl+E Merge selected layer down, or merges several highlighted layers
  • Cmd/Ctrl/Ctrl+Shift+Opt+S Save for web & devices
  • Cmd/Ctrl+L Bring up levels box
  • Cmd/Ctrl+T Open Free Transform tool
  • Cmd/Ctrl+M Open Curves
  • Cmd/Ctrl+B Edit Colour Balance
  • Cmd/Ctrl+Shift+Opt+C Scale your image to your preferred state
  • Cmd/Ctrl+Opt+G Create clipping mask
  • Cmd/Ctrl+0 Fit on screen
  • Cmd/Ctrl+Shift+>/< Increase/decrease size of selected text by 2pts
  • Cmd/Ctrl+Option+Shift->/< Increase/decrease size of selected text by 10pts
  • ]/[ Increase/decrease brush size
  • Shift+F5 Fill the selection
  • }/{ Increase/decrease brush hardness
  • ,/. previous/next brush
  • </> First/last brush
  • Cmd/Ctrl+] Bring layers forward
  • Cmd/Ctrl+[ Send layer back
  • Cmd/Ctrl+Shift+[ Send layer to bottom of stack
  • Cmd/Ctrl+Shift+] Bring layer to bottom of stack

Layers

 Layer tricks
Photoshop tips: Layer tricks

44. Converting Layer Styles

Converting a Layer Style to a normal pixel-based layer gives you greater control to edit the contents. To do so, add a style then right-click Effects and choose Create Layer.

45. View one layer

If you’re working with multiple layers and you want to view one layer on its own, there’s no need to hide all the others manually, simply hold down Alt and click the Eye icon of a layer to make every other layer invisible. Hold down Alt and click again to reveal them.

46. Invert a Layer Mask

After adding any Adjustment Layer, hit Cmd/Ctrl+I to invert the Layer Mask and quickly hide the effect, then paint back over the image with white to selectively reveal the adjustment.

47. Unlink layers and masks

You can move either a mask or an image independently of one another by clicking the link between the two thumbnails in the Layers Panel. Highlight the thumbnail you want to reposition, then grab the Move tool.

48. Quick copy

Hold down Alt and drag a mask, style or layer to
quickly duplicate it.

49. Convert the Background

Double-click the Background Layer and hit OK to convert it to an editable layer

50. Adjustments

Always use Adjustment Layers rather than directly editing a layer. This gives you three advantages: you can edit it at any time, control the strength with Opacity, and use a mask to make it work selectively.

51. Move query

When using the Move tool, right-click over a point in the image for a list of all the layers you’re hovering over.

52. Panel Options

The Layers Panel is the most important box in Photoshop, so you’ll want to make sure it’s set up properly for your needs. Choose Panel Options from the Fly-out menu to select different thumbnail sizes and content.

53. Move layers up or down

You can move layers up or down the stack in the Layers Panel while watching the image change. Hold down Cmd/Ctrl and press ] or [. Add in Shift to move a layer right to the top or bottom.

54. Fill shortcuts

You can press Alt+Backspace to fill a layer or
selection with the Foreground colour, Cmd/Ctrl+Backspace to fill a layer or selection with the Background colour, or Shift+Backspace to quickly access the Fill Options.

55. The 50% grey layer

A new layer filled with 50% grey is useful in lots of situations. For example, you can dodge and burn with it, add texture, or manipulate a Lens Flare effect, all in a completely non-destructive way. To create a 50% grey layer, make a new layer then go to Edit>Fill, then set the Blend Mode to Overlay.

56. Layer Group shortcut

Layer Groups are incredibly useful, but don’t bother clicking on the Layer Group icon, as you’ll have to add layers to the new group manually. Instead, you should highlight several layers and either drag them to this icon or alternatively hit Cmd/Ctrl+G.

57. Edit multiple type layers

 Edit multiple type layers
Photoshop tips: Edit multiple type layers
To apply a change of font or size to multiple type layers at once, hold down Cmd/ Ctrl and click the layers in the Layers Panel to highlight them, then simply select the Type tool and change the settings in the Options Bar.

58. Layer Mask views

 Layer mask views
Photoshop tips: Layer mask views
Hold down Alt and click a Layer Mask thumbnail to toggle between a view of the mask and the image. Hold down Shift and click to turn the mask on or off.

59. Select similar layers

To quickly select all layers of a similar kind, such as shape or type
layers, highlight one of them and then go to Select>Similar Layers.

60. Change Opacity

When not using a painting tool, you can change layer Opacity
simply by pressing a number key. Hit 1 for 10%, 5 for 50%, and 0 for 100%.

61. Quick masking

You may be familiar with Color Range in the Select drop-down menu. But did you know that you can access a similar command through the Color Range button in the Masks Panel? (Window>Masks). This allows you to quickly make a mask by sampling colours, which can be used for making a quick spot colour effect.

62. Step-by-step Blend fire effects

  • A:  Copy in the fire

 Blend fire effects
Photoshop tips: Copy in the fire
Open a portrait image and a generic fire image, then grab the Move tool and check Auto-Select Layer and Show Transform Controls. Drag the fire image into the girl image to copy it in, then change the Blend Mode of the layer to Screen.
  • B:  Position and warp

 Blend fire effects
Photoshop tips: Position and warp
Click the bounding box to transform the fire layer, then resize, rotate and position the layer. Right-click while in Transform mode and choose Warp to wrap the fire around the body. Hit Cmd/Ctrl+J to copy the fire layer and transform again to build up the effect.

Top Tool Photoshop Tips

63. Right-click for contextual menus

Almost all tools have a contextual menu that’s accessed with a simple right-click. This usually gives you the tool’s major controls and a few handy shortcuts. As well as the tool you have active, where you right-click affects the menu, too. For example, a right-click over a layer thumbnail or mask thumbnail gives different options.

64. Speedy navigation

Being able to quickly and easily move around your image and
zoom in or out will speed up your workflow more than anything else. Use Cmd/Ctrl and + to zoom in, Cmd/Ctrl and to zoom out. Hold the space bar to temporarily access the Hand tool and drag around the image.

65. Crucial selection shortcuts

With any selection tool, hold Shift to add to an existing selection and Alt to subtract from it. Shift+Alt together allows you to intersect selections.

66. Paste in place

Cut and paste a selection to a new layer and Photoshop will place it in the middle of the screen. If you want to paste it to a new layer, but keep the position the same, use Cmd/Ctrl+X to cut and Cmd/Ctrl+Shift+V to paste in place. Similarly, you should hold down Shift while dragging layers between documents with the Move tool to keep the same position.

67. Hide the Marching Ants

Press Cmd/Ctrl+H to hide or reveal a selection’s ‘marching ants’ line. Cmd/Ctrl+Shift+H does the same for a Path line.

68. The amazing Cmd/Ctrl+click

Use the Cmd/Ctrl+click shortcut on any layer thumbnail, mask thumbnail, Channel or Path to load its shape or contents as a selection.

69. Switch lasso

When using the Lasso tool, hold Alt then release the mouse
button to temporarily switch to the Polygonal Lasso tool.

70. Fixed Ratio selections

The Rectangular Marquee tool has a useful ‘Style’ setting in the Options Bar that lets you make a selection at a fixed ratio or size. This is helpful if you want to select a specific area to use as a wallpaper or for web pages.

71.  Transform a selection

You can transform a selection in just the same way as a layer. Just go to Select>Transform Selection. Right-click to choose from familiar transform modes like Skew and Warp.

72.  Pen tool rubber band

If you're new to the Pen Tool, this is one of the best Photoshop tips out there! As a new user it can be frustrating when plotting anchor points, as often you’re not entirely sure how your next curve will behave. There’s a useful feature hidden in the Options Bar that can be a godsend for beginners. Click the ‘Geometry options’ drop-down (next to Auto Add/Delete) and check Rubber Band. Now, as you use the Pen tool you’ll see an interactive preview of your next curve before you add it.

73.  Non-destructive crops

 Non-destructive crops
Photoshop tips: Non-destructive crops
A little-known feature of the Crop tool allows you to hide, rather than delete cropped areas. To do this, you’ll need to make the Background Layer editable first, so double-click it then hit OK. Next, grab the Crop tool and drag a crop window, then instead of applying the crop, check Hide in the Options. Now you can re-crop at any time by dragging outside the window to reveal the previously cropped areas.

Pen Tool Tips

74.  Tweak anchor points

When using the Pen tool, hold down Cmd/Ctrl to temporarily switch to the Direct Selection tool. This lets you move anchor points and control handles.

75.  Add a point

To add a point, hover over the existing path line and the Pen tool will automatically change to the Add Anchor Point tool.

76.  Remove handles

Remove handles from a point and make it into a sharp angle by Alt-clicking over it.

77.  From selection to path

Turn any active selection into a path by clicking the ‘Make Workpath from Selection’ icon at the bottom of the Paths Panel.

78.  Add handles

Add handles to a point by holding Alt then dragging outwards from the point.

79.  Path options

Once you’ve made a path with the Pen tool, right-click for lots of options, including Make Selection, Fill Path and Stroke Path.

80.  Magnetic Pen

For a magnetic Pen tool that behaves just like the Magnetic Lasso tool, choose the Freeform Pen tool from the Tools Panel then check ‘Magnetic’ in the Options Bar.

81.  Step-by-step: Select sky with Channels

  • A:  Copy Blue Channel

 Select sky with channels
Photoshop tips: Copy Blue channel
Go to Window Channel then drag the Blue Channel to the New Channel icon to duplicate it. Hit Cmd/Ctrl+L to access Levels, then drag the white and black point sliders in dramatically to make the sky totally white and the land black. Now use the Brush tool and paint with black to tidy any bits in the land.
  • B:  Load a selection

 Select sky with channels
Photoshop tips: Load a selection
Hold Cmd/Ctrl and click the Blue Copy Channel to load a selection of the white areas. Click back on the RGB Channel then go to the Layers Panel and add a Curves Adjustment Layer. The selection is automatically turned into a mask. Drag down on the curve to darken the sky.

Brush and painting Photoshop tips

82.  Try Adobe Eazel

For tablet owners, Adobe Eazel is both fun and a serious painting tool. Finger-painted brush strokes have a fluidity that’s difficult to create on a computer. Wireless transmission between tablet and Photoshop streamlines the painting process.

83.  Change the brush angle

When using a non-circular brush, you may find the need to change the angle of the brush tip. To do this, click the Brush Panel in the Options Bar then highlight Brush Tip shape and drag the circle to change the angle of the brush. You can also flip it horizontally or vertically with the check boxes.

84.  Rotate the clone source

Clone around corners by rotating a clone source. To do so, use Shift+Alt+ < or >. It helps if you have Show Overlay checked in the Clone Source Panel, so that you can see the rotation.

85.  Real paint ridges

The Bevel and Emboss filter is often used by digital painters to make brush strokes look like ridged layers of paint. Merge a copy of all the layers, then set the Blend Mode to Overlay and apply the Bevel and Emboss filter.

86.  Interactive brush settings

When using the Brush tool, hold down Alt and the right mouse button for a preview of the Brush tip’s size and hardness. Drag down and up to increase or decrease hardness, and drag right or left to change the size.

87.  Tilt Canvas

 Tilt Canvas
Photoshop tips: Tilt Canvas
Photoshop tips don't just come in the form of shortcuts. When painting, it’s often easier to rotate the canvas rather than try to bend your wrist into an uncomfortable position. Just as a sketcher would angle a piece of paper, you can angle your canvas by holding down R then dragging it around. Release R and you’ll flip back to your original tool. To revert back to normal, hold down R and click Reset View in the options.

88.  Smudge painting

Smudge painting is quick and immensely satisfying. To paint with the
Smudge tool, fill a layer with an off-white tone, duplicate the Background Layer and set it at the top of the stack, with Opacity at about 13%, then highlight the Smudge tool, check Sample All Layers, and start painting. It’s that simple.

89.  Add texture to paintings

 Add texture to paintings
Photoshop tips: Add texture to paintings
As a finishing touch, you can make your paintings look much more authentic by adding a paper texture. Copy a texture on top of your image, then experiment with Blend Modes and Opacity until you get the right effect. The Darken or Multiply modes will usually provide you with good results.

Precise colour and lines

90.  Draw straight lines

To draw a straight line with the Brush tool, hold down Shift and then click two points.

91.  Sample a colour

With the Brush tool selected, hold down Alt and click to sample a
colour and then set it as your Foreground colour.

92.  Precise painting

Press Caps Lock to switch your cursor to a crosshair.

93.  Cycle through the brushes

Use , and . to cycle left or right through the brushes in the Brush Preset Picker.

94.  Dodge or Burn

When painting with the Burn tool, you can hold down Alt to switch
instantly to the Dodge tool.

95.  Get a pen and tablet

If you’re into digital painting, but don’t own a graphics tablet, you’re missing out on a whole new world of creativity. There are plenty of good, entry-level tablets available, but if you want mid-range features that include multi-touch input, treat yourself to a Wacom Intuos 5.

96.  Change hardness

As you probably know, the ] and [ bracket keys change your brush size, but you can also use Shift+ ] or [ to change the brush hardness.

97.  Quick Opacity change

When using the Brush tool, press any number between 0 and 9 and the Brush Opacity will set to it. 1 for 10%, 9 for 90%, 0 for 100%. Press Shift and a number to adjust Flow.

Adobe Camera Raw tricks

98. Use Select All

 Use select all
Photoshop tips: Use select all
The following Photoshops tips focus on Camera Raw. To quickly batch process a group of images, open them all in ACR (the easiest way to do this is through Adobe Bridge) and then click Select All. Now, any changes you make to one image will be applied to all the open files.

99.  Open Smart Objects

Hold down Shift in ACR and the Open Image button switches to Open Object. Now the file opens as a Smart Object, which means you can double-click the layer thumbnail in Photoshop to go back and edit the layer in ACR.

100. Mask Sharpening

 Mask sharpening
Photoshop tips: Mask sharpening
The Masking slider in the Detail Panel lets you control which areas of an image are sharpened, but it’s impossible to judge unless you hold down Alt as you drag. This displays a greyscale view, in which black areas are protected from sharpening, enabling you to isolate the sharpening to edge areas.

101. Reset the sliders quickly

 Reset the sliders quickly
Photoshop tips: Reset the sliders quickly
Double-click any slider to reset it to 0. If you click once, then the slider jumps to the point you’re over. So if you keep the mouse still, you can single-click, then double-click over a point for a quick ‘before and after’ view of any adjustment you’ve made.

102. Crop ratios

 Crop ratios
Photoshop tips: Crop ratios
Square crops can help to make your images stand out from the crowd. For a list of different crop ratios, hold down the mouse button over the Crop tool. Remember, like everything else in ACR, cropping is non- destructive, so you can try out different ratios and adjust the crop at any time.

103.  Exposure before colour

It’s always best to adjust exposure before you move on to colour correction.

104. Adjustment Brush controls

 Adjustment Brush controls
Photoshop tips: Adjustment Brush controls
The Adjustment Brush is perfect for selective toning in ACR. The brush works by setting pins, each linked to a painted mask that specifies the area you want to tweak. You’ll need to view the mask when painting, and hide it when using the sliders to adjust the area. Hit Y to switch the view of the mask on or off.

105.  Erase masks

When painting with the Adjustment Brush, hold down Alt to erase parts of the mask.

106. Clip the blacks

Deep blacks give an image extra punch, so it’s okay to clip the blacks a little. For deep blacks, drag the Black point slider inwards while holding down Alt until a few dark spots appear.

107. Straighten horizons

Hold down A and drag a line to straighten your images.

108. Clipping views

Hold down Alt while dragging the Exposure, Blacks or Recovery slider to see any clipped pixels, or click the icons at the top right and left of the histogram to see them all the time.

109. Screen real estate

Make the most of your screen size by hitting F to switch the ACR display to Full Screen Mode.

ACR and Bridge

110. 3D carousel view

 3D carousel view
Photoshop tips: 3D carousel view
Looking for Photoshop tips to view images in interesting ways? Look no further. All you need to do is hit Cmd/Ctrl+B to see your images in a snazzy 3D carousel. Scroll through the images with the left and right arrow keys and hit down to remove an image from the view.

111. Paste ACR settings

 Paste ACR settings
Photoshop tips: Paste ACR settings
You can copy ACR treatments from one file to another in Bridge. Right-click any file with the circular ACR icon, then go to Develop Settings>Copy Settings. Right-click another file (or hold down Cmd/Ctrl and click to select more than one) then choose Paste settings.

112. Stack similar images

 Stack similar images
Photoshop tips: Stack similar images
Stacks can help you keep your workspace tidy and easier to navigate by grouping similar images together. Select a group of files (hold down Shift and click the first and last) then go to Stacks>Group as Stack.

113. Open in ACR

 Open in ACR
Photoshop tips: Open in ACR
Raw files open automatically into ACR, but you can open JPEGs and TIFFs, too, by right-clicking them and choosing ‘Open in Camera Raw’, or simply hit Cmd/Ctrl+R.

114. Open as layers

 Open as layers
Photoshop tips: Open as layers
You can load a group of images into layers of a single document by going to Tools> Photoshop>Load Files into Photoshop Layers.

115. Step-by-step Solarisation in ACR

  • A:  Make a cone-shaped curve

 Solarisation in ACR
Photoshop tips: Make a cone-shaped curve
Open an image in ACR, then click the Tone Curve Panel. Drag all the points off the curve to delete them, then make one single point in the middle. Drag this down, then drag the bottom left of the curve to line up to the top, making an inverted cone shape.
  • B:  Convert to mono

 Solarisation in ACR
Photoshop tips: Convert to mono
Click the HSL/Greyscale Panel and check ‘Convert to Black and White’. Use the sliders to tweak the black and white conversion. If you want to add some colour, go to Split Toning and adjust the sliders to add colour to the shadows and highlights. One of the top mono Photoshop tips!

Brush up your skills

116. Create a brush

You can create a brush tip from any image you like. Simply convert to monochrome, then make a selection and go to Edit>Define Brush Preset. Only dark parts are recorded; any parts that are pure white aren’t included in the brush tip. So if you want the shape of the brush to be clear, you need to isolate the object or shape against a white background.

117. Make sketch lines

 Make sketch lines
Photoshop tips: Make sketch lines
If you want to turn a photo into a painting, adding sketch lines can make the effect look more realistic. To do so, duplicate your layer then go to Filter>Stylise> Glowing Edges, then invert the colours, desaturate and use the Darken or Multiply Blend Mode.

118. Experiment

 Experiment!
Photoshop tips: Experiment!
The Brush Panel is the control centre for hundreds, if not thousands, of
different brush effects and settings. The best way to find out how it works is to grab the Brush tool, choose a colour, open a new document and start painting.

119. Go further

To take the above tip further, try painting on different layers and use different Blend Modes, or add Layer Style effects to your painted layer.

120. Step by step: Quick brush effects

  • A:  Set up the Brush

 Quick brush effects
Photoshop tips: Set up the brush
Load up a generic portrait image and then load the Square Brushes from the Brush Picker drop-down menu.
Select a square brush, then open the Brush Panel and use these settings: Brush tip shape: Spacing 631%. Shape Dynamics: Size, Angle, Roundness Jitter – all 100%. Scattering: Scatter 638%, Count Jitter 50%. Colour Dynamics: Foreground/ Background Jitter 20%, Saturation Jitter 20%. Brightness 30%.
  • B:  Paint mask and colours

 Quick brush effects
Photoshop tips: Paint mask and colours
Use the Lasso tool to select the girl then hit Shift+Backspace and choose Fill: Content-Aware. Hold down Alt and click the Add Layer Mask icon then set Foreground colour to white and paint on the mask over the girl to hide parts of the body. Next, add a new empty layer and hold down Alt to sample colours from the girl, then paint to add coloured fragments. Add a second new layer, paint larger strokes, then blur slightly with Filter> Gaussian Blur.

BA. BSc Date Sheet BZU Multan 2014

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BA. BSc Date Sheet BZU Multan 2014

Monogram of BZU Multan

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BZU Multan Monogram
Monogram of BZU Multan
University of BZU Multan



Date sheet of BZU 2014 M.A Part 1 & Part 2nd

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Date sheet of BZU 2014 M.A Part 1 & Part 2nd

Hot To Design the Card

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  1. Decide on a size. Greeting cards usually come in only two sizes - 4.25"x6" and 5"x6.875"[1]. It doesn't really matter which size you choose; the point is to design in the size you plan to print. One of the most common problems that printing companies see is with customers designing print materials in one size and ordering another.
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  2. 2
    Choose Images - If you are designing note cards for your business, then include the logo and company name on the front of the card. For personal use, brand your cards to match your personality by using an image that describes you. It could be a scenery photograph, a family photo, or a simple graphic design of your initials. Holiday greeting cards should include an image appropriate for the holiday, of course. No matter the image you choose, be sure to edit it and save it at a high resolution - 300 dpi at least - before you place it in the template to avoid problems when sending your design to print.
  3. 3
    Write your Message - Some greeting cards include a message both on the front and on the inside. These two-part messages usually start a thought or joke on the front and place the finishing or punch line on the inside. Others may include a message on the front only so that personal messages can be written on the inside. Just make sure to use a message that matches the purpose of your cards. For business greeting cards, you may want to print a standard signature, such as from the president of the company, or a general salutation such as "From your Friends at Such and Such Company." Choose a font that is both readable and that matches the mood of the card. For instance, an elegant typeface is perfect for a note card but too many curves and curls on the letters will make your message unreadable.
  4. 4
    Choose your Paper Stock - A greeting card needs to be both durable and fold able. Usually a heavy cover stock works best; 11 pt. up to 15 pt. are appropriate selections. The more important decision is whether to choose a coated or uncoated stock. A coated stock makes images look more brilliant, while an uncoated stock is much easier to write upon. Therefore, it's best to use a gloss coating for cards that rely on images, such as Christmas cards. But for note cards that will require a great deal of writing, an uncoated stock is more practical.
  5. 5
    Print with a Professional - Unfortunately, there are some who are under the impression that they can save money by printing cards on their personal printer. In reality, between the cost of ink, greeting card paper, and the effort of getting your printer to line up correctly, not to mention folding all of those cards, a professional greeting card printing company saves you both money and time. Plus, you get a much higher quality product when you choose a professional than trying to print on your ow

NTS Slip 16 Feb 2014 is available

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NTS Slip 16 Feb 2014

Social stratification

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Social stratification--------------------

, social stratification is a concept involving the "classification of people into groups based on shared socio-economic conditions ... a relational set of inequalities with economic, social, political and ideological dimensions." When differences lead to greater status, power or privilege for some groups over the other it is called social stratification.[1] It is a system by which society ranks categories of people, hierarchy. [2] Social stratification is based on four basic principles: (1) Social stratification is a trait of society, not simply a reflection of individual differences; (2) Social stratification carries over from generation to generation; (3) Social stratification is universal but variable; (4) Social stratification involves not just inequality but beliefs as well.[3]
In modern Western societies, stratification is broadly organized into three main layers: upper class, middle class, and lower class. Each of these classes can be further subdivided into smaller classes (e.g. occupational).[4]
These categories are not particular to state-based societies as distinguished from feudal societies composed of nobility-to-peasant relations. Stratification may also be defined by kinship ties or castes. For Max Weber, social class pertaining broadly to material wealth is distinguished from status class which is based on such variables as honor, prestige and religious affiliation. Talcott Parsons argued that the forces of societal differentiation and the following pattern of institutionalized individualization would strongly diminish the role of class (as a major stratification factor) as social evolution went along. It is debatable whether the earliest hunter-gatherer groups may be defined as 'stratified', or if such differentials began with agriculture and broad acts of exchange between groups. One of the ongoing issues in determining social stratification arises from the point that status inequalities between individuals are common, so it becomes a quantitative issue to determine how much inequality qualifies as stratification.[5]
Overview---------------------------------
The concept of social stratification is interpreted differently by the various theoretical perspectives of sociology. Proponents of action theory have suggested that since social stratification is commonly found in developed societies, hierarchy may be necessary in order to stabilize social structure. Talcott Parsons, an American sociologist, asserted that stability and social order are regulated, in part, by universal value although universal values were not identical with "consensus" but could as well be the impetus for ardent conflict as it had been multiple times through history. Parsons never claimed that universal values in and by themselves "satisfied" the functional prerequisites of a society, indeed, the constitution of society was a much more complicated codification of emerging historical factors. The so-called conflict theories, such as Marxism, point to the inaccessibility of resources and lack of social mobility found in stratified societies. Many sociological theorists have criticized the extent to which the working classes are unlikely to advance socioeconomically; the wealthy tend to hold political power which they use to exploit the proletariat intergenerationally. Theorists such as Ralf Dahrendorf, however, have noted the tendency toward an enlarged middle-class in modern Western societies due to the necessity of an educated workforce in technological and service economies. Various social and political perspectives concerning globalization, such as dependency theory, suggest that these effects are due to the change of workers to the third world.
Karl Marx
Main articles: Marxism, Historical materialism, and Base and superstructure
In Marxist theory, the capitalist mode of production consists of two main economic parts: the substructure and the superstructure. Marx saw classes as defined by people's relationship to the means of productions in two basic ways: either they own productive property or labour for others.[6] The base comprehends the relations of production—employer–employee work conditions, the technical division of labour, and property relations—into which people enter to produce the necessities and amenities of life. In the capitalist system, the ruling classes own the means of production, which essentially includes the working class itself as they only have their own labor power ('wage labor') to offer in order to survive. These relations fundamentally determine the ideas and philosophies of a society, constituting the superstructure. A temporary status quo is achieved by various methods of social control employed, consciously or unconsciously, by the bourgeoisie in the course of various aspects of social life. Through the ideology of the ruling class, false consciousness is promoted both through ostensibly political and non-political institutions, but also through the arts and other elements of culture. Marx believed the capitalist mode would eventually give way, through its own internal conflict, to revolutionary consciousness and the development of egalitarian communist society.
Marx also described two other classes, the petite bourgeoisie and the lumpenproletariat. The petite bourgeoisie is like a small business class that never really accumulates enough profit to become part of the bourgeoisie, or even challenge their absolute power. The lumpenproletariat is the low life part of the proletariat class. This includes prostitutes, beggars, swindlers, etc. Neither of these subclasses has much influence in Marx's two class system, but it is helpful to know that Marx did recognize differences within the classes.[7]
According to Marvin Harris[8] and Tim Ingold,[9] Lewis Henry Morgan's accounts of egalitarian hunter-gatherers formed part of Karl Marx and Engels's inspiration for communism. Morgan spoke of a situation in which people living in the same community pooled their efforts and shared the rewards of those efforts fairly equally. He called this "communism in living." But when Marx expanded on these ideas, he still emphasized an economically oriented culture, with property defining the fundamental relationships between people.[10] Yet, issues of ownership and property are arguably less emphasized in hunter-gatherer societies.[11] This, combined with the very different social and economic situations of hunter-gatherers may account for many of the difficulties encountered when implementing communism in industrialized states. As Ingold points out: "The notion of communism, removed from the context of domesticity and harnessed to support a project of social engineering for large-scale, industrialized states with populations of millions, eventually came to mean something quite different from what Morgan had intended: namely, a principle of redistribution that would override all ties of a personal or familial nature, and cancel out their effects."[9]
 Wright Mills------------------------------
C. Wright Mills contended that the imbalance of power in society derives from the complete absence of countervailing powers against corporate leaders of the power elite. [15][16] "... Mills both incorporated and revised Marxist ideas. While he shared Marx's recognition of a dominant wealthy and powerful class, Mills believed that the source for that power lay not only in the economic realm but also in the political and military arenas.[15][17] During the 1950s, Mills stated that hardly anyone knew about the power elite's existence, some individuals (including the elite themselves) denied the idea of such a group, and other people vaguely believed that a small formation of a powerful elite existed.[18] "Some prominent individuals knew that Congress had permitted a handful of political leaders to make critical decisions about peace and war; and that two atomic bombs had been dropped on Japan in the name of the United States, but neither they nor anyone they knew had been consulted."[19][20] Mills sought to inform people about the existence of the power elite through his book The Power Elite.[15]
Mills explained that the power elite embodied a privileged class whose members were able to recognize their high position within society.[21] In order to maintain their highly exalted position within society, members of the power elite tend to marry one another, understand and accept one another, and they also work together.[15][20] The most crucial aspect of the power elite's existence lays within the core of education.[15] "Youthful upper-class members attend prominent preparatory schools, which not only open doors to such elite universities as Harvard, Yale, and Princeton but also to the universities' highly exclusive clubs. These memberships in turn pave the way to the prominent social clubs located in all major cities and serving as sites for important business contacts."[15][22] Examples of elite members who attended prestigious universities and were members of highly exclusive clubs can be seen in George W. Bush and John Kerry. Both Bush and Kerry were members of the Skull and Bones club while attending Yale University.[23] This club includes members of some of the most powerful men of the twentieth century, all of which are forbidden to tell others about the secrets of their exclusive club.[23] Throughout the years, the Skull and Bones club has included presidents, cabinet officers, Supreme Court justices, spies, captains of industry, and often their sons and daughters join the exclusive club, creating a social and political network like none ever seen before.[24]
The upper class individuals who receive elite educations typically have the essential background and contacts to enter into the three branches of the power elite: The political leadership, the military circle, and the corporate elite.[25]
  • The Political Leadership: Mills stated that prior to the end of World War II, leaders of corporations became more prominent within the political sphere, with a decline in central decision-making among professional politicians.[26]
  • The Military Circle: During the 1950s-1960s, increasing concerns about warfare existed, resulting in top military leaders and issues involving defense funding and military personnel training becoming a top priority within the United States. Most of the prominent politicians and corporate leaders were strong proponents of military spending.
  • The Corporate Elite: Mills explains that during the 1950s, when the military emphasis was recognized, corporate leaders worked with prominent military officers who dominated the development of policies. Corporate leaders and high-ranking military officers were mutually supportive of each other.[27][28]
Mills believed that the power elite has an "inner-core" that was made up of individuals who were able to move from one position of institutional power to another; a prominent military officer who becomes a political adviser or a powerful politician who becomes a corporate executive.[25] "These people have more knowledge and a greater breadth of interests than their colleagues. Prominent bankers and financiers, who Mills considered 'almost professional go-betweens of economic, political, and military affairs,' are also members of the elite's inner core.[25][29]
Anthropologists have found that social stratification is not the standard among all societies. John Gowdy writes, "Assumptions about human behaviour that members of market societies believe to be universal, that humans are naturally competitive and acquisitive, and that social stratification is natural, do not apply to many hunter-gatherer peoples."[30] Non-stratified egalitarian or acephalous ("headless") societies exist which have little or no concept of social hierarchy, political or economic status, class, or even permanent leadership.
Kinship-orientation------------------------------------
Anthropologists identify egalitarian cultures as "kinship-oriented," because they appear to value social harmony more than wealth or status. These cultures are contrasted with economically oriented cultures (including states) in which status and material wealth are prized, and stratification, competition, and conflict are common. Kinship-oriented cultures actively work to prevent social hierarchies from developing because they believe that such stratification could lead to conflict and instability.[citation needed] Reciprocal altruism is one process by which this is accomplished.
A good example is given by Richard Borshay Lee in his account of the Khoisan, who practice "insulting the meat." Whenever a hunter makes a kill, he is ceaselessly teased and ridiculed (in a friendly, joking fashion) to prevent him from becoming too proud or egotistical. The meat itself is then distributed evenly among the entire social group, rather than kept by the hunter. The level of teasing is proportional to the size of the kill. Lee found this out when he purchased an entire cow as a gift for the group he was living with, and was teased for weeks afterward about it (since obtaining that much meat could be interpreted as showing off).[31]
Another example is the Indigenous Australians of Groote Eylandt and Bickerton Island, off the coast of Arnhem Land, who have arranged their entire society, spirituality, and economy around a kind of gift economy called renunciation. According to David H. Turner, in this arrangement, every person is expected to give everything of any resource they have to any other person who needs or lacks it at the time. This has the benefit of largely eliminating social problems like theft and relative poverty. However, misunderstandings obviously arise when attempting to reconcile Aboriginal renunciative economics with the competition/scarcity-oriented economics introduced to Australia by Anglo-European colonists.[32] See also the Original affluent society.
Impact-----------------------------------
Research suggests that social stratification can cause many social problems. A comprehensive study of major world economies revealed that homicide, infant mortality, obesity, teenage pregnancies, emotional depression, teen suicide, and prison population all correlate with higher social inequality.[33]
Three characteristics of stratified systems
1. The rankings apply to social categories of people who share a common characteristic without necessarily interacting or identifying with each other. The process of being ranked can be changed by the person being ranked.[34]
2. People's life experiences and opportunities depend on their social category. This characteristic can be changed by the amount of work a person can put into their interests.[34]
  • Example: The greater advantage had by the son or daughter of a king to have a successful life than the son or daughter of a minimum-wage factory worker, because the king has a greater amount of resources than the factory worker. The use of resources can influence others.
3. The ranks of different social categories change slowly over time. This has occurred frequently in the United States ever since the American revolution. The U.S. constitution has been altered several times to specify rights for everyone.[34]

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